COMIC REVIEWS FOR 8/26

BRIGHTEST DAY AFTERMATH: THE SEARCH FOR SWAMP THING #3

Writer: Jonathan Vankin

Art: Marco Castiello

Publisher: DC

Reviewer: The Writing Rambler

                So I’ve had the pleasure of being able to read/review all 3 of the BRIGHTEST DAY AFTERMATH: SEARCH FOR SWAMP THING issues for AICN and boy does this final issue end with a glorious bang. Yup, those are the exact words I would use to start a review if I lived on the Bizzaro planet of Htrae, where everything is opposite. Unfortunately I don’t and for the 3^rd time DC readers are given a jumbled, messy story that has no real meaning or explanation towards the reintroduction of John Constantine and Swamp Thing to the mainstream DCU.

                This 3^rd and final issue of the limited series was supposed to be the conclusion of Constantine’s journey searching for Swamp Thing and the newly resurrected Alec Holland, but instead were given more of the same confusing runaround with no real furthering of the story. Random appearances from Madame Xanadu, Batman, Superman and Deadman (who I assume was thrown in to remind us this is supposed to connect to BRIGHTEST DAY still) add to the “chaos” of this series. To put it simply there is no point to this book other than being a 3 part reminder that Constantine and Swamp Thing are part of the DCU again. From Constantine’s odd change of heart at the end of the book to Batman’s horribly cheesy comment about EPA regulations, this final issue seems like a culmination of bad ideas put to paper.

                There’s not much new or unique about the book’s artwork other than it is consistent with the first two issues. Marco Castiello returns to take the reins back from Renato Arlem who handled the 2^nd issue and while he does a good job depicting the mess of a story that were given, I did find it funny that his version of Batman here just made me think some drifter stole Batman’s costume and is pretending to be him. I don’t know, maybe it’s just me but something is off about this story’s caped crusader.

I do have something positive to say about this book and that is I’ve finally come to peace with the cover art. If you’ve read my past reviews on this series you’ll know I’ve been pretty annoyed how the covers so far have both misrepresented the content and then mostly copy and pasted the previous issue’s artwork. Well with this issue we finally get a cover that has something to do with the content within, so I guess that’s a good thing, right?

Overall, this entire series has been a huge disappointment to readers who were anticipating learning more about John and Swamp Thing’s place in the current DCU. When you couple this with the fact that this series is also supposed to be the wrap up to a huge event like BRIGHTEST DAY you realize how much of a failure this really is. All I can hope is that with the relaunch of the DCU upon us we will be given much better stories for all of the characters involved.

GREEN LANTERN EMERALD WARRIORS # 13

Writer: Peter J. Tomasi

Art: Ron Frenz

Publisher: DC

Reviewer: The Writing Rambler

                EMERALD WARRIORS 13 is the final issue of the series as well as the last GREEEN LANTERN title we get in the pre “reboot” DCU. While there is no big, epic story that some may have hoped or even a bridge to what will happen in the “new” DCU I actually really enjoyed what we’re give here. It’s yet another one shot focused on Guy Gardner (much like the past two EMERALD WARRIOR issues), who this time is teamed up with Batman in what feels much more like an issue of THE BRAVE AND THE BOLD than any GREEN LANTERN title.

                I really love what Tomasi has done with these final issues as he is great at delivering stories that use Guy Gardner’s personality to the fullest. He just seems to really enjoy writing Guy stories and it shows. Throw in getting to see him include Batman and the unique “chemistry” that he and Guy share and you have a really enjoyable story overall. The issue is a quick whodunit that takes place on an international space station but truthfully none of the background matters as it’s the fun of watching Batman and Guy act as a successful team that keeps you turning the pages.

                The art by Ron Frenz blends with the story and keeps everything moving well. The art in any book is there to enhance what should be a well written story and it’s exactly what we get here. Nothing we’ve never seen before, but enjoyable because it flows with everything and never becomes a distraction to the reader like I’ve experienced in some of the WAR OF THE GREEN LANTERN: AFTERMATH books as of late.

                This book probably isn’t for everyone as many people don’t like throwing down their hard earned $3 to buy a one shot that has no real significance in the larger GREEN LANTERN storylines, but these are often the stories that are made for the die-hard fans. As a fan of GREEN LANTERN I definitely recognize that many of the major events in the DCU for the past few years have somewhat had a Lantern influence and if anything we’ve been spoiled with large arcs that have taken the title to new heights. Because of this, we often dismiss smaller issues that don’t have some type of larger theme/event going on and it’s a shame. An issue like this should mean just as much to a fan because without books that create and build up these character’s personalities for us to love/hate, their actions in larger stories would be pointless. In a way I think this issue is a fitting end to this series as it reminds me that despite not having several lanterns featured or any universe spanning story it’s still a completely enjoyable read and that it’s the personality of characters like Guy Gardner that keep me coming back for more.

Comic Reviews from 8/8/11

FLASHPOINT: BATMAN KNIGHT OF VENGEANCE #3

Writer: Brian Azzarello

Art: Eduardo Risso

Publisher: DC

Reviewer: The Writing Rambler

                With the month of August upon us, we find ourselves heading toward the finale of the entire FLASHPOINT story and the impending reboot/re-launch of the DCU. With the end so near, we are also getting the final chapters of some of the tie in books, which for many fans have been the best part of the whole FLASHPOINT event. This week we see the close of arguably the best tie in with BATMAN KNIGHT OF VENGEANCE #3.

                After the setup of the first issue, which showed the reader the kind of Batman that Thomas Wayne was and the emotional sucker punch of the Joker reveal in the second issue, I was anxiously waiting to see how Brian Azzarello would close out this wonderfully told Batman story. To my delight, Azarello yet again creates a classic Batman tale and finishes up the story near perfectly. It stays dark and continues providing us a backstory of just how this world’s Batman and Joker came to be. It really is a thing of beauty to see a classic Joker/Batman fight seamlessly intertwined with a tragic backstory of a parent’s loss (told through flashbacks during the battle). As the book closes we see not only that we have been given a fully fleshed out Batman tale but also a motivation for Thomas’ actions in the overall FLASHPOINT story. It left me satisfied and really looking forward to what Batman will do in the final issue of FLASHPOINT.  

As the battle and the overall story come to a close its quality is only exemplified by Eduardo Risso’s artwork yet again. All the pain and loss that both Batman and Joker have suffered in this world are able to be felt in each panel through Risso’s work. His style perfectly blends with Azzarello’s writing and together they present a Batman story for the ages. As good as Azzarello’s writing is I honestly think this book could have contained no words and still conveyed one of the best Batman stories in years. One other thing I would like to mention in regard to the artwork is a commendation for Dave Johnson and his work on the cover art. He has done a great job throughout these 3 issues of setting the tone of the book with great covers for each and especially on this third and final issue. The image he presents here of a husband and wife mourning the loss of their child is both haunting and beautiful and it is one of my favorite Batman covers in a long time.

                My only real problem with this final issue has nothing to do with the book in any way. It is simply the fact that I don’t want to give it up and would love nothing more than to continue reading stories based in FLASHPOINT’s version of Gotham. Everyone involved in BATMAN KNIGHT OF VENGEANCE should be proud as they have crafted not only a fantastic Batman story but truly a unique universe on its own. I don’t know what the future holds for Batman and the DCU as a whole but I can only hope somehow, someway we get to revisit the world of BATMAN KNIGHT OF VENGEANCE again.

BRIGHTEST DAY AFTERMATH: THE SEARCH FOR SWAMP THING #2

Writer: Jonathan Vankin

Art: Renato Arlem

Publisher: DC

Reviewer: The Writing Rambler

                A little over a month ago we were given a pretty weak start to BRIGHTEST DAY AFTERMATH: THE SEARCH FOR SWAMP THING. Sadly with issue #2 we are given more of the same. What we have here is basically a book full of questions with no answers in sight. The only real difference in this issue from the last is that John Constantine is interacting with Superman instead of Batman.

                This second issue, much like the first, is all over the place. We have Constantine trying to use Superman to help him find Alec Holland while were also being given a story of Alec Holland trying to piece his life together in his old lab. Much like the first issue seemed more aimed at force feeding DC readers who may be unfamiliar with John Constantine his general bio, this issue seemingly does the same for Alec Holland. While I get that the company wants new readers to know these characters I feel that they are doing more of a disservice to longtime fans who are looking for a good three part story before everything is reset come September anyway.

The art in the book outshines the story much like the first issue and the transition from Marco Castiello to Renato Arlem works just fine. The main difference is in how Arlem’s work has a more “old school” vibe to it, especially in the way he captures Superman. Overall I didn’t mind the change though it didn’t make or break the issue in any way.

                Once again though, I have to comment on the cover art for this series which has now become a sore point for me. Last month I mentioned how the cover seemed poorly executed and included Superman when he didn’t even appear in the issue. This month while we do actually have everyone’s favorite Kryptonian in the issue, we are basically given a rehash of the first issues cover! The cover is literally an alternate take of the last one minus Batman and Zatanna being included. I understand the cover doesn’t make the story but in this case it seems reflective of the content; repetitive and somewhat pointless.

I really hate being negative when it comes to a title but so far this short series seems like a complete waste of time for readers. I don’t know how this story will be wrapped up in issue 3 (if it even can be) and while I look forward to seeing what’s in store for Constantine and Swamp Thing in “The new 52” I fully assume the finale of this series will leave us all scratching our heads much like the first two chapters have.  All in all I wouldn’t recommend this series as there are much better things happening in the DCU but as a completest myself I’ll be there to see how it all wraps up.

Comic review from 6/27/11

BRIGHTEST DAY AFTERMATH: THE SEARCH FOR SWAMP THING #1

Writer: Jonathan Vankin

Art: Marco Castello & Vincenzo Acunzo

Publisher: DC

Reviewer: The Writing Rambler

          

        When DC’s series BRIGHTEST DAY wrapped up in issue 24 many people, myself included, were left with the burning question of “okay, now what?” There were questions left of what would become of Swamp Thing, the newly resurrected champion of the earth and exactly why John Constantine was appearing in a mainstream DC title. Those questions are pursed though not really expounded on in BRIGHTEST DAY AFTERMATH: THE SEARCH FOR SWAMP THING #1.

                The book itself is an odd read overall. I didn’t hate it, but I also feel like it did nothing to further the story and basically was just 20 pages (I’m not counting the ads, especially the Subway comic where Grodd is defeated by a basketball to the face….I still feel slightly violated after reading that) of letting the non-Vertigo readers know who John Constantine is. The whole story just follows John traveling to the US to find Batman and voice his concerns about Swamp Thing’s return. There’s an appearance by Zatanna as well, but again it almost feels forced, simply to say “See, Constantine knows Batman and Zatanna so he definitely belongs here”. While there’s nothing done particularly wrong, it just feels like a lot of wasted space in a limited series that is only set for 3 issues.

One thing I will commend the book for is its artwork. It does a great job delivering the overall grittiness of Gotham and Constantine’s personality as well.  I also really like the way Swamp Thing is captured. While only appearing on one page of the entire book, you can clearly see the power behind the character represented.

Something else I need to touch on is the cover art, which is probably my biggest complaint of the issue. While the art looks great, this has to be one of the worst “bait and switch” covers I remember seeing in a while. Dead center behind Constantine is Superman himself; glaring forward as though he’s prepping to lobotomize John for smoking on the cover. It looks great but the problem is that Superman never appears in the issue and is never even made reference to. It just seemed like a cheap way to entice buyers by putting the company’s biggest star front and center for no apparent reason. Also, I recall in the ads for this as an upcoming title that Zatanna wasn’t on the cover and Hawkman was. I’m guessing they switched this out being that Hawkman is also never seen or mentioned in the book either. Again, it just seems odd and leads me to believe this limited series is not that well prepped.

With so little time left before the impending “reboot” of all things DC, one has to wonder if this three issue run is really going to be able to flesh anything out. I’m hoping this story gets to be told and is not just serving as filler to get us from point A to B (though after this first issue that’s how I’m starting to feel). Nonetheless, I’ll be checking it out because I’m hoping now that we’ve gotten past a slow start, the last two issues can provide some real “meat” to the Swamp Thing storyline, plus I hate starting things and not finishing them so DC has me on the books for another $5.98 before this is all said and done.